Ulya is a blonde beauty that makes a memorable impression with her appearance in this series photographed by Voronin. The model’s blonde locks are wild and untamed much like the demeanor of this young lady. Ulya first makes her appearance wearing a black sheer bra and panty set. Ulya’s prominent pink nipples press sensually against the transparent material of the ruffled bra. Her flesh glistens with highlights. An ornate necklace hangs from the model’s neck and delicate earrings adorn her earlobes. Ulya is photographed against the setting of a tiled bathroom. The photo shoot begins with the model posing while clad in lingerie. As the photo shoot progresses, strips away her bra and panties to reveal her nude form. Ulya moves into the shower and allows Voronin to chronicle this private time. The cover photograph for “Digis” pictures Ulya posing in a standing position. Her slender hips are slightly cocked and the model holds her bla..

In his ceramics and wood shop in Russia, the great photographer Goncharov watches as his models prance about, playing with his artistic tools. Contemplating their beauty, he begins to realize what it is that is so captivating about them. In their fine physiques they typify the three qualities held most dear by the great artists of antiquity - Resplendence, Proportion, and Graciousness. Resplendence was a quality important to the ancient artists, and it meant that they could see the spirit shining through the form. When a figure displays resplendence, it literally glows with a certain kind of celestial light, imbuing the shape with light and openness. The models in this series definitely display resplendence. There is a brilliance to their glowing bodies that catches the eye and startles the heart. Proportion referred to the dimensions and relations necessary to produce physical excellence. Of course, the ancients believed that reality was a mere manifestation o..

Jessica makes her debut in a stunning way in this introductory series. The model is nude from the outset of the photo shoot. Her confidence is evident and translates clearly through the medium of still photography. Jessica has worked with Magoo on other projects but this is her first foray into the realm of fine nude art modeling. The model is from Hungary. She poses for several pictures seated in an ivory office chair. This is a seat Jessica is truly comfortable in. The teen works as a secretary when she isn’t busy with modeling assignments. The cover photo reveals an image of Jessica posing with her knees pulled close to her chest. The angle of the photograph presents an unusual open view of the intimate space between Jessica’s legs. A setting of light-filled ivory surrounds the model and creates the illusion that she is somehow suspended is midair. It’s a captivating picture. Jessica’s hair is swept to the side. Her face is dominate..

Lidiya is an adorable youthful model with a physique that belies the initial impression of her innocence. The red head’s vibrant smiling face transmits an unspoken sense of friendliness and openness. She makes her latest appearance clad in a fiery scarlet halter-style sheer bra, fingerless lacy gloves and fishnet stockings. Lidiya’s tresses flow as freely as the outgoing model’s spirit. Goncharov has chosen to photograph this sweet-faced girl posing upon a balcony beneath the skies of a newly lit day. Lidiya favors the morning hours with its promise of endless possibilities. Goncharov captures expertly the essence of Lidiya’s positivism and zest for life in “Magma.” Stone materials and rock are integral parts of this entire gallery. This fact ties with the theme of this series. The cover picture from this gallery reflects a somewhat unusual camera angle, but the image of Lidiya perched bottomless upon a stone railing draws m..

Shades of orange and melon dominate each photograph contained within this sensational series. Pulsing energy runs throughout this collection of pictures featuring Zuzana and Annouchka. Glossy orange walls and coral-colored tiles fill the backdrop of the photographs. A simple wooden chair is seen in many of the pictures. Zuzana wears an orange and black garter belt with coordinating stockings. Annouchka is clad only in a pair of fishnet orange hose. Both models have long freely flowing hair. Zuzana’s auburn tresses contrast against Annouchka’s ebony shiny locks. The photograph selected by Ingret for the cover of this series offers a glimpse of the intensity of the throbbing passions shared by these two dolls. Zuzana wraps her arms around Annouchka while she kisses the model’s smooth shoulder. Annouchka’s buttocks and the space between them are clearly visible. The breathlessness of the two women is almost palpable. A smiling..

Bijou is a relatively new model at Met but it hasn’t taken long for this raven-haired teen to get noticed. Her unpretentious presence and innate charms make her appearances an erotic feast for the senses. The photographic talents of Mark compliment the natural aptitude Bijou possesses for modeling. The collaboration between these two results in an interesting and intense collection Mark has titled “Nubilia.” Most of the photographs contained within this series feature Bijou in some state of repose on rich wine-colored furniture. Accent pillows embellished with swirls of gold add a splash of contrasting color to the vibrant backdrop. The velvety upholstery covering the furniture and the ornate patterns of several of the pillows offer texture to the composition of many of the pictures. Bijou is pictured with her form spread upon a richly hued pallet of pillows and velvet. The sweet-faced teen is smiling and inviting viewers to survey the exqui..

Anna, the “radiant beauty” in question, is an immaculate study in sensual understatement. Or, as one might have it, she is the very essence of the maxim, “less is more.” For by doing almost nothing but standing before the camera and moving slightly some small part of her body, or removing some bit of clothing, or making some subtle facial gesture, Anna is able to achieve that “radiance and beauty” for which she is so famous. For instance, take one of the first photos in the series. Anna is standing, her back to the camera, with her head peering back over her shoulder. Nothing much is happening, but she is ever so subtly lifting her dress to expose her right buttock. There it sits, dimpled and delicate, round and delicious, like a magic apple. Or look at a middle shot. Sitting against a bare brown brick wall, Anna seems to be locked in the basement of some cruel lascivious monster. Yet she is crisply made up, with her hair ve..