6 minutes After all the fan mail we received over Voronin’s first Red Fire movie, we decided to add another clip for your viewing pleasure, and we expect the reception for this one to be just as warm. Our red-headed beauty is back, dressed in her red silk garb, and just as red-hot as ever. For an up-close and personal look at an elegant young debutante taking it all off for your enjoyment, this is the Film Du Jour! It all starts out simply enough, just like everything in life that comes to an outstanding climax. Our model is seated in a chair. She is a red-haired beauty, slender and pale, with perfect features. She has a dancer’s body, but not too muscular. She is petite and youthful, with long gangly legs, small tender breasts, and a very cute face that seems to beckon us closer. This is a princess, indeed, and to fit her, she is placed in what looks to be a kind of palace, with expensive rugs and furniture all around. Could it be this tender young..

Voronin chooses to use brilliant white light as the background against which to feature the dark beauty of the statuesque Jenya. The starkness of the white backdrop contrasts vividly against this model’s wild ebony hair and brown eyes. Jenya’s attire is composed of a glittery gray blouse, a pair of black string bikini panties, black thigh high leggings, and a pair of high heel suede leather boots. Jenya is dressed to seduce and entice with her feminine wiles – and she succeeds in a tasteful and artistic way throughout the entire gallery. This series is quite a departure from Voronin’s usual photographic style. The camera angles utilized by Voronin are unusual and are a testament to this photographer’s ability to integrate variety and progressiveness into his work. This gallery is reminiscent of a high fashion photo shoot yet touches of fine nude art photography are woven throughout the pictorial spread. About halfway through the ga..

Betty is a blonde-haired enchantress that first appears wearing a pastel pink pair of bikini bottoms. The bikini bottoms are tied at the hips with simple bows. A seascape of azure waters and sun-filled blue skies provide a bright unspoiled backdrop against which to showcase the extreme loveliness of Betty. The model is partially submerged to the tops of her slender thighs in the introductory photo for “Manta.” Her flawlessly manicured hands rest upon the slippery flesh of her upper legs. Betty’s long blonde hair is caught in the movement of the afternoon seaside breeze. Her lips are tinged a dark crimson hue. The model is completely nude and exposed in this cover picture that invites viewers to explore her commanding presence further. Betty is an amazingly talented model. The next photograph picturing the vixen posed at shore’s edge upon her hands and knees is an example of this talent. Betty’s expression is powerful and aggressiv..

Any Met-Art.com member worth his salt has seen and enjoyed the photos by Richard Murrian of his wife, Nancy. Well, now we actually have posted some photos TAKEN by Nancy Murrian, of one of Richard Murrian’s newest models, Katka. This new series, The Rear Window, shows the startling and sensual potential of women shooting women, and we hope this is a trend in the massive Met-Art.com catalogue. In a certain sense, the difference between looking at a photo series taken by a man and a photo series taken by a woman is that one KNOWS a photo series is taken by a woman and so one is able to imagine one’s self in that setting, and, in the end, there’s a different emotional and sexual response one has to such a situation. The idea of a beautiful young lady taking off her clothes and posing for another beautiful young lady, well, it’s literally twice the thrills, if one cares to look at it that way. So, in this sense, it’s the mere fact of knowing two w..

Marketa has been featured in many galleries at Met-Art but this series showcases the sublime beauty of the model against a backdrop of white and off-white tiles. She is nude from the outset of the series and her unblemished body is covered with glistening oil. Marketa’s blonde locks are pulled away from her face and secured in a single braid. This hairstyle draws attention to the perfect symmetry of the model’s facial features that are such a vital part of her captivating allure. The cover photograph from this series captures a rather aggressive countenance upon Marketa’s facial features. Her eyes are intensely locked with Erro’s camera and Marketa’s lips open to reveal her dazzling white teeth. The blonde’s shoulders are cocked and her manicured nails are splayed over one of her hips and one of her thighs. There is something visceral about this cover photograph that is aligned with the title “Tigre” chosen by Erro. Marketa a..

Fedorov is a man known for his imagination. He goes the distance when it comes to expressing his innermost visions. When he works with a model, he is the master at helping her realize his reality, bringing her body to the edge of his fantasies. And Ashanti is one of his favorite models to work with because she’s so willing to go there. Another reason that Fedorov prefers Ashanti over the many other young models willing to pose naked for him is more personal than just preferring the way she works. Yes, Ashanti is pliable and talented when it comes to posing and emitting a requested emotion of flair. But there’s something more to it than that for Fedorov. To put it simply, Ashanti inhabits his dreams. As we said, the man works in mysterious ways, and one such way is that he consults his fantasies and dreams for inspiration. One such dream features a nymph-like creature that dances naked for him in a field. He is tied to a tree and there are flames all..

Approximately 2 minutes long Who can ever get enough of Andrea? Apparently, Met-Art members can’t, since she remains one of the most commonly downloaded models. And apparently not her main photographer, Voronin, who continues to give amazing pieces of “Andrea art” to peruse and savor. Fact is, no one can get enough of Andrea, because she’s always changing and always getting more beautiful and sexy, as this darling movie clip shows all too well. This movie is Andrea at her best, in a way that Voronin knows how to capture better than anyone else. There’s something about an Andrea movie that takes it to the next level. It’s so subtle, so understated, so erotic. Andrea doesn’t strut around like a crazy chicken, trying to be the stripper she is not. Nor does she put on some big fake show. Instead, she’s just herself – sweet, sensual and totally nude. The camera starts where it ought to start – r..